Cognitive scientist Mark Changizi, writing in SEED magazine, has an interesting theory on one potential evolutionary path for humanity. It involves something he calls neuronal recycling, and if we need examples of this we need only look into our species’ history:
Nevertheless, there is a very good reason to be optimistic that the next stage of human will come via the form of adaptive harnessing, rather than direct technological enhancement: It has already happened.
We have already been transformed via harnessing beyond what we once were. We’re already Human 2.0, not the Human 1.0, or Homo sapiens, that natural selection made us. We Human 2.0’s have, among many powers, three that are central to who we take ourselves to be today: writing, speech, and music (the latter perhaps being the pinnacle of the arts). Yet these three capabilities, despite having all the hallmarks of design, were not a result of natural selection, nor were they the result of genetic engineering or cybernetic enhancement to our brains. Instead, and as I argue in both The Vision Revolution and my forthcoming Harnessed, these are powers we acquired by virtue of harnessing, or neuronal recycling.
In this transition from Human 1.0 to 2.0, we didn’t directly do the harnessing. Rather, it was an emergent, evolutionary property of our behavior, our nascent culture, that bent and shaped writing to be right for our visual system, speech just so for our auditory system, and music a match for our auditory and evocative mechanisms.
And culture’s trick? It was to shape these artifacts to look and sound like things from our natural environment, just what our sensory systems evolved to expertly accommodate. There are characteristic sorts of contour conglomerations occurring among opaque objects strewn about in three dimensions (like our natural Earthly habitats), and writing systems have come to employ many of these naturally common conglomerations rather than the naturally uncommon ones. Sounds in nature, in particular among the solid objects that are most responsible for meaningful environmental auditory stimuli, follow signature patterns, and speech also follows these patterns, both in its fundamental phoneme building blocks and in how phonemes combine into morphemes and words. And we humans, when we move and behave, make sounds having a characteristic animalistic signature, something we surely have specialized auditory mechanisms for sensing and processing; music is replete with these characteristic sonic signatures of animal movements, harnessing our auditory mechanisms that evolved for recognizing the actions of other large mobile creatures like ourselves.
Like this:
Be the first to like this post.